Thursday, July 30, 2015

Writers: Original or Copycats with Class? - Addison Norman

Writers: Original or Copycats with Class?


            From the time a young child learns to notice, comprehend, and remember he or she begins to accumulate knowledge. As one expands their knowledge they can start to make connections between similarities and differences. In his chapter, “Now, Where Have I Seen Her Before?” Thomas C. Foster encourages his readers to use their accumulated knowledge to notice similarities in stories, especially “to remember this: there’s no such thing as a wholly original work of literature.” 
            After introducing the idea that writers use previous works to inspire their stories he expands on the stories taken from Shakespeare. Romeo and Juliet, is one of Shakespeare’s most renown works, and the story has been implanted into our thoughts. It is almost impossible to watch or read modern works without coming across the tale of star-crossed lovers. We see the idea of fate and power of love juxtaposed by uncompromising circumstances that surround love. This can be seen in a number of stories, both old and new. From older texts, one can find Romeo and Juliet paralleled to Jane Austen’s Pride and Prejudice. In another adaptation, the musical West Side Story mimics the struggle of forbidden love seen in Shakespeare’s play. Both Pride and Prejudice and West Side Story use elements from Romeo and Juliet. The lovers are inhibited from being together whether it be for the strict English class system or for the rivalry of New York City gangs.
            Foster also mentions that writers tend to employ stories from the Bible. Christianity is a dominant religion of Western culture, and as a result, has become a fundamental element of English literature. Allusions and symbols of revelation and redemption are found in a variety of literary works. The Lord of the Flies by William Golding calls on ideas from Christianity to communicate themes. Some analyze the island the schoolboys land on in the novel as a representation of the Garden of Eden. The island is a clean slate for the boys and is described as a paradise; however, the temptation of power and control lead the boys to self-destruction and destruction to the island. It appears that the loss in innocence experienced by Adam and Eve can be compared to the loss of innocence the boys in the Lord of the Flies partake. Golding represents how not only young children lack innocence, but all humans do as well and are subject to temptations.
            Authors are influenced from stories older than the Bible and Shakespeare – ancient Greek stories. One well-known tale that still finds itself intertwined in literature is the epic, The Odyssey. The Odyssey tells of the many challenges Odysseus goes through to return home to his wife. Cold Mountain by Charles Frazier is one novel in which the main character, Inman, is trying to escape the war to go home to his love Ada. Along the way Inman’s quest encounters numerous road stops and people who prolong his arrival home much like The Odyssey. The Greek story can even be found in film. In the movie O Brother, Where Art Thou?  characters, Ulysses, Pete, and Delmar, are escaping from imprisonment, and they face similar situations to Odysseus. In one scene in O Brother, Where Art Thou? the characters come across beautiful women singing in a river; these women correspond to the Sirens in The Odyssey who lure men to their death and distract them from the quest.   

Writers pull ideas from multiple pieces of previous work. However, the Bible, Shakespeare, and Greek stories are three areas in which writers are consistently influenced by. New works aren’t all just copies of older texts; authors use the stories weaved into our consciousness as a way to communicate something deeper than the words on the page. As Foster constantly reminds us “there’s only one story.”


                                    



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